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Examples
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Then I spent another near-hour working on this piece I'm calling John Carpenter's Deliverance, using a capo on Stick and twanging through the theme for Halloween.
thum thum thum thum, mars attacks, and Michael Myers plays bass badger 2003
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CD 2: more atmospheric and film soundtracky, with certain pieces recalling John Carpenter and (on "Nightclubbing") the disjointed Fairlight pulses of the Liquid Sky score.
blissblog 2009
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I do think it’s odd that the movie’s called John Carpenter’s Christine, instead of Stephen King’s Christine, but that’s just me.
Christine (1983) 2010
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Featuring exclusive interviews with legendary directors such as John Carpenter, George A. Romero, and Joe Dante and illustrated with clips from over 150 films,
Pulpmovies 2009
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There are some remakes that I actually think are better or just as good as the original film such as John Carpenter’s The Thing and Cronenberg’s The Fly, but so many current remakes bring nothing new to the table and even degrade the original work.
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There are some remakes that I actually think are better or just as good as the original film such as John Carpenter’s The Thing and Cronenberg’s The Fly, but so many current remakes bring nothing new to the table and even degrade the original work.
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With little more than a Moog console, John Carpenter in 1978 almost singlehandedly created the eerie score to "Halloween."
The Last Movie Maestro John Jurgensen 2011
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By turns an actor, director, special-effects guru and screenwriter, he was a critical figure in the 1970s new wave of science-fiction films, from a formative association with USC classmate John Carpenter on the cult classic outer-space comedy "Dark Star" through Ridley Scott's blockbuster "Alien."
The Strong, Silent Types Steve Dollar 2011
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Q: In taking this on what were the challenges that you felt would make it a uniquely John Carpenter film?
Brad Balfour: Exclusive: Horror Cinema Master John Carpenter Returns To Form With The Ward Brad Balfour 2011
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In Escape From New York, John Carpenter's malevolent and under-rated 1981 classic, Manhattan has become a walled penitentiary where America's most violent criminals are deposited and then forgotten.
A chilling and cruel tale of two cities | Kevin McKenna 2011
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